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Sicily
I t i s a c o m b i n a t i o n o f
t h i n g s . A p h o t o g r a p h e r
must have passion first of
all, because if you have it,
you chase the news and the
n e w s c o m e s t o y o u . Y o u
must be able to grasp the
gazes, the people, to find
out about them, grasp the
details. It is a journalistic
job even if it is often not
considered as such. What
makes the difference then is
the sensitivity of the pho-
tographer, the technique is
the last part if you like. The
discriminating factor is to
create the situation, have it
c o m e t o m e e t y o u a n d
exploit it. That's the secret.
E v e n t h e p o s i t i o n , w h e r e
you place yourself, as in the
c a s e o f N i c o l e K i d m a n ' s
photo. The point of view is
essential.
A n o t h e r p h o t o t h a t
struck me was Monica
Bellucci's because she
l o o k s u p . W h a t ' s t h e
story behind it?
S h e l o o k e d u p , I d o n ' t
know exactly what she was
looking at, but that's a par-
ticular place, Lady Gaga did
p a t e s i n t h e f e s t i v a l a n d
walks the carpet.
Tell us a peculiarity
about the exhibition.
It all started with me and
t h e e d i t o r - i n - c h i e f o f
C o r r i e r e d e l V e n e t o ,
Alessandro Zangrando, and
Gennaro Florio, a mixolo-
gist who worked in Cortina,
at the historic Bauer hotel in
Venice, and now works at
t h e L o c a n d a L a F e n i c e .
Gennaro created a cocktail
the same thing, so did Viggo
Mortensen; in the collective
imagination, the red carpet
of the Venice Film Festival
is almost a sacred place. It is
a very emotional moment
for the actor who partici-
for each diva, for example
he had the opportunity to
meet Madonna so he knew
her tastes and specially cre-
ated a cocktail with Martini
B i a n c o , g i n g e r a n d s o d a
with her name.
LOS ANGELES
ITALIAN COMMUNITY
Madonna is one of the divas presented at the Andrea Pattaro's exhibition in Venice (Photo courtesy of Andrea Pattaro)
Continued from page 18
