L'Italo-Americano

L'Italo-Americano PAGE  18 THURS DAY,   MAY  23,   2013 Pasadena Turns Red – 150 Unique Models at the 5th Concorso Ferrari ENRIcA cORSELLI Imagine a red river: that's how Pasadena looked like last weekend, when 150 Ferrari models invaded the city center. From the newest and most futuristic mod- try, brought here by the Ferrari Club of America, Ferrari owners and Ferrari enthusiasts. The unique, unmistakable noise of their engine that anyone could recognize was music to car can compete…" he explains. "The others would be 'too young'. The two most important factors that determine the score assigned to a model are originality and general conditions. lovers… John Ratto, owner of a Ferrari 330 GTS that belonged to Sergio Pininfarina in person, is one of this year's judges. "Only those models 'born' in or before 2004 But judges also take into consideration exteriors, interiors and engine." 100 is the maximum score that can be assigned. "From 100 to 95," continues Ratto, "means Tom Eldering and his 375 GTB4 els to the 'evergreen', like the F40 or the Spider of the Seventies'; this year's 5th Concorso Ferrari featured an incredible variety of Italian cars coming from all over the coun- Platinum category; from 95 to 90 means Golden; from 90 to 85 means Silver." The event has some surprises to show, like the 375 MM (Mille Miglia), often considered a bad car by experts. But this is now the only existing model, with a market value of five million dollars. And among the 150 beauties, one catches our attention: its plate says 'Roma E57492'. It is a GTB (Grand Touring Berlinetta) or Dayton of 1972. And the owner Tom Eldering is very proud of it."From 1978 to 1983 this was the fastest car" explains, "it could go up to 173 miles per hour (about 278 kilometers). This model in particular is a European version: the estimated market value is 500,000.00". And what about the expenses a Ferrari owner faces for these jewels? "Well, right two years ago I had the engine renovated, it costed me 30,000.00". But judging from Tom's smiling eyes, it was worthy. For Tom, as for many others, having the chance to own a Ferrari is a gift. "I don't understand those people who own such beautiful cars and they only drive them on these special occasions", he says."The beauty of such a car has to be enjoyed… as well as the company of women who simply love them!" Red Carpet Pasadena of Ferrari in Fazioli Piano Series – Special Guest of the Second Appointment: Daniel Rothman ENRIcA cORSELLI Italy is the country of good food and of the most beautiful artworks. But not only: Italy is also home to some of the best musicians. The Italian Cultural Institute in Los Angeles has recently dedicated to them the 'Fazioli Piano Series', which featured acclaimed international musicians. The second appointment just saw composer Daniel Rothman as a protagonist. Rothman is based in Los Angeles and is a professor at the California Institute for the Arts. During his career he collaborated with important artists from all Fazioli is known as one of the finest piano brands in the world over the world, and has received commissions from many contemporary music festivals, including 'Nuova Consonanza', one of the most interesting realities in the Italian panorama. Daniel Rothman We asked Daniel Rothman a few questions about Italian music and its role on the international scene. Daniel, what's the first comment that comes to your mind when thinking of today's Italian music? I think of the incredible bond between the past and the present: Italian composers can't – and shouldn't - leave their past behind. Theirs is an incredible culture, and having the chance to listen to such a repertoire in Los Angeles is a unique occasion. Do you think cultural differences in music can be an obstacle in the circulation of music? Several times I heard people complaining because they couldn't understand the language of a song and its meaning. But while their mind was confused, their body wasn't: they were following the rhythm of that song. We are talking about music, and Italian music is one of the most sophisticated one; it has always had, in fact, a strong influence on the other music cultures. When I hear Maura Capuozzo, Ivan Fedele, Filippo Perroco, Salvatore Sciarrino - just to mention some – it doesn't matter how different they are from each other: I can feel their belonging to their motherland, and the rhythm of everyday life over there. How does the Fazioli Piano Series contribute in showing Italy's production from an international point of view? Well, the Fazioli Piano Series at the IIC are a good way to show some differences between Italian and American composers. But when I say 'differences' I only mean different ways in which different cultures express themselves. Taking part in such an event is fascinating, rewarding, it's a spiritual moment of harmony through music. What are the next projects for your career? Right a few days ago I was discussing with IIC director Alberto Di Mauro in regard to an upcoming series of concerts… Stay tuned for all the details!

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