L'Italo-Americano

italoamericano-digital-2-26-2015

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CVII • N. 9 • THURSDAY, FEBRUARY 26, 2015 • GIOVEDÌ 26 FEBBRAIO 2015 FACEBOOK.COM/ITALOAMERICANONEWSPAPER On February 22, Milena Canonero won her fourth Academy Award for Best Costume Design for her contribution to the movie Grand Budapest Hotel italoamericano.com $ 1.20 DATED MATERIAL - DO NOT DELAY Milena Canonero: Oscar to the Italian Elegance "Rome Open City", after 70 years still a masterpiece that moves and surprises The power of the Oscars is in their celebration not only of world famous actors, but also of all the amazing professionals who work behind the scene to make our beloved movies so real and credible. The s ounds , effects, and costumes are, in fact, an essential component and can make the difference between a good film and a great one. At the 87 th Oscar ceremony, traditionally held at the Dolby Theatre in Los A ngeles , the Italian taste for elegance and attention to the details prevailed once again, and was officially recognized in front of a TV audi- ence of around 1 billion people worldwide. Italian cos tume des igner Milena Canonero, age 69, won her fourth Academy Award for SILVIA SIMONETTI "Roma città aperta" brought Italian Neorealism to world-wide attention Continua a pagina 14 Continued on page 3 See page 2 BARBARA MINAFRA P a r t i t a d i E u r o p a L e a g u e all'Olimpico. In pieno centro, ai piedi della famosissima scalina- ta di Trinità de' Monti, botti- glie, lattine di birra e sporcizia ovunque. Ubriachi, urla, distur- bo della quiete pubblica. Lancio d i f u m o g e n i , b o m b e c a r t a e g u e r r i g l i a u r b a n a c o n t r o l e forze dell'ordine. In un attimo il cuore di Roma è preda di 700 hooligans del Feyenoord, la squadra di Rotterdam, dei 5mila olandesi che hanno prenotato un posto da "ospite" allo stadio. Danneggiano uno dei monu- m e n t i s i m b o l o d e l l a C i t t à E t e r n a : l a B a r c a c c i a d e l Bernini, la fontana in Piazza di Spagna immortalata giorno e notte in milioni di fotografie. Dopo le follie, i restauratori hanno riscontrato danni perma- nenti e 110 punti di lesione. Vandali contro l'arte italiana (che è patrimonio dell'umanità)

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